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Ebola is on the front page of USA Today, Blueberry Red Bull hasn’t been invented yet, and Avery is still free to be manipulated into falling in love.
Written by John Whittington, but strikingly absent any of the blistering wit he brought to “The LEGO Batman Movie” and “The LEGO Ninjago Movie,” “When We First Met” soon starts to resemble “Bedazzled” more than “Groundhog Day.” In part, that’s because the film only subjects us to a few rotations through that fateful night, Noah course-correcting for his behavior in a series of banal ways (one time he tries to be Avery’s perfect match, the next time he acts like a complete asshole, etc.). From the start, Whittington’s script lays everything out so schematically that there’s little reason to keep watching for the story.
When Netflix announced that they were going to be releasing 80 (yes, eighty) original films in 2018, it was hard to imagine how they could possibly handle that kind of volume.
At a time when more traditional outfits like Disney and Warner Bros.
are distributing huge movies in small doses, it seemed unfathomable that a studio would be able to put out more than one new movie per week (even a studio that didn’t always have to deal with pesky industry headaches like shipping DCPs and informing customers that their movies exist).
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